Thursday, November 12, 2009

Podcast with Wolfgang Zinggl


Wolfgang Zinggl is a Member of Parliament of Austria and the spokenperson for arts and cultural policy for the Green Party, but before these (in his own words) an active member of socially engaging artist group WochenKlausur that he founded in 1993 and exhibited in Venice Biennale in 1999. Stepping on both tracks of art and politics, Zinggl talks about how he has become politician from a State Curator and an art critic. Recorded on August 19, 2009, 39 min., English. Listen

Thursday, November 5, 2009

Muse March 2009



Asian Art News May/June 2009


Tuesday, October 13, 2009

(Inter)Viewing Possession


My new site-specific project is now being exhibited at the Asia Art Archive. Probably it is the most difficult to explain about!

About (Inter)Viewing Possession

Process:
A group of interviewers were recruited to interview people from the neighbourhood about their treasurable possession. The artist listened to these audio recordings and transcribed/rewrote them into a series of monologues. Then the artist also interviewed the interviewers and has written another set of monologues about their experience and memory of the previous interviews. All the monologues were compiled and edited into eight pairs. Finally the artist read them together with his long time collaborator Sara Wong as the voice over of totally eight channels of video of slow panning motion of the close-up image of the windows from the buildings around. Eight video-viewing stations have been made and set against the cityscape as the backdrop of the installation.

Keywords:
Colonial The Asia Art Archive which houses the project is located in Possession Street that was extended from the waterfront where the British army landed in 1841.
Urban The location and the nature of the space where we are based.
Art In the name of art we begin to think beyond what we see and experience.
Observation The basic activity when encountering something unfamiliar, but perhaps we can also observe the familiar for something different. In addition, I imagine the AAA as an observation platform, a place to see how other see.
Tourist One becomes tourist to re-visit his/her home hoping to see something new. It is natural to see tourists in the observation platform.
Gaze/view Gaze is more dominant than view.
See/seen As said, we see how people see.
Photography It is this gaze for sure whereas our naked eyes always scan.
Value I try to learn about subjective value. It is the value being described but not to be justified.
Introspection When we start to talk to ourselves, pretending to talk to others….
Connection It is interesting to see how people can be connected, especially if invisibly. There is now connection between the AAA and its neighbours not because of their proximity…. Seeing is the link which is invisible.
Seeing It is a subjective act. No one else can really see if one really sees.
Voyeurism A voyeur sees another voyeur.
Private/pubic It is a performance which negotiates these two realms.
Community I am not sure. Or could there be a community that its members share views or have opposite views?
Fictional There are facts but no fact is identified. Or it simply does not matter one talked about facts in these interviews.
Interview The view in between, or views between two persons.
Monologue The subject is I.
Dialogue I and I.
Shift Still image in motion.
Windows The opening to go in but not to come out.
Process/medium The way to talk is more interesting than what to talk. My role somehow is also like a medium that might be tempted to take over.
Transcribing It is a creative process to turn from what you listened into somewhat you would like to read.
Reading It is not role-playing but to replace someone’s presence with your own voice. That is to possess.
Image We keep telling the reality is the substance which is far more important but we still like to treasure the image because it looks better than the reality.
Imagine However, the best image only exists when it is invisible.
Opposite field Il contro campo where we see each other, like the photographer and the photographed but their roles can be swapped.
Relational It is a trendy word.
Identity Something we do not really need but I. We better subvert it.

Monday, September 7, 2009

Emil Goh

Just got a sad news from Wendy Gan about Malaysian Chinese artist Emil Goh:
"Emil passed away suddenly on the morning of 7 September 2009 in Seoul. He had a seizure of some kind in the morning. The ambulance was called but his heart had stopped beating by the time the ambulance reached the hospital. His girlfriend was by his side.
This has been a huge shock. He was still young and with no health problems that we knew of. We do not yet know what exactly happened.
I hope you will remember him for the enthusiastic foodie and wonderful artist and designer that he was. He had a keen eye for the mundane but quirky beauty of small things and his vision, his sense of humour and his mind that bubbled over with intellectual curiosity and delight in the world will be sorely missed by all of us."


Our last meal in Seoul when I was there in 2008. Emil sitting behind the Korean bbq.

Tuesday, August 25, 2009

Podcast with Stephan Lugbauer


Saprophyt/ Installation view Jenni Tischer, Alle eure Farben, June 2009

Saprophyt is a very new art space founded by two young Austrian artists, Barbara Kapusta and Stephan Lugbauer in Vienna in August, 2008. Someone says artist-run initiatives are like generational phenomenon and almost all ambitious artists in the beginning of their career would similarly make their own space. Stephan Lugbauer talks about his ideas and thoughts about Saprophyt, named after a kind of fungi which live on dead matters. 51 min, English.
Listen

Saturday, August 22, 2009

Depot of Disappearance



Depot of Disappearance is a text-based installation that addresses issues of memory, space and cultural policy. It takes as its focus an independent arts organization, Depot, which was located in the MuseumsQuartier during 1994-2001. Fragments of personal memory and knowledge (or ignorance), be they contradictory or consistent, of Depot during this period from diverse individuals collectively suggest a metaphor for the independent cultural development in the times of socio-political changes. To recall the immediate past is neither a relief from fear of disappearance or a pursuit for nostalgia. Instead, it is to contemplate disappearance in its own right. In fact, Depot continues to exist behind the MuseumsQuartier today.