Thursday, December 15, 2011
A new work for the exhibition White Walls Have Ears
It is about the voice of the present of the past, translated and transformed. Two interviewees from my previous project Domestica Invisibile have already passed away. One mid-career American arts writer, who witnessed the development of Asian contemporary art, and one young Japanese multi-media artist from the snow country talk about their home. And we listen and ponder over the words voiced for the people who once uttered. Specially dedicated to cmbb.
Jonathan Napack (1967-2007) was a correspondent for The Art Newspaper and official representative for Art Basel. He started his writing career for a number of publications in New York including New York Observer and Spy, before moving to Hong Kong in 1997 where he became increasingly involved in the Chinese contemporary art world.
Hiroaki Muragishi 村岸宏昭 (1984-2006) was a philosophy student and a self-taught musician and artist in Sapporo. He wrote and played experimental music; and exhibited multi-media installations. He also took the lead role in Singaporean filmmaker Royston Tan’s short film Monkey Love.
New recording by:
Mimi Brown is the founder of the new non-profit art centre Spring Workshop and a board member of the Asia Art Archive.
Robin Peckham is an art critic, curator and the founding director of Saamlung, commercial gallery and project office in Hong Kong.
Ko Hasegawa is a hair stylist and founding artistic director of Voi Voi Rakkaus in Hong Kong.
Hitomi Hasegawa is a researcher, curator and the founder of the Moving Image Archive of Contemporary Art in Tokyo.